
Video Lesson: 5 Ways to Build Your Rock Rhythm Guitar Rudiments
Developing your sense of time and rhythmic vocabulary won’t just make you a better rhythm player, it will make you a better lead player, and a better musician overall.
These articles originally appeared in the February 2017 issue of Acoustic Guitar magazine.

Developing your sense of time and rhythmic vocabulary won’t just make you a better rhythm player, it will make you a better lead player, and a better musician overall.

Guitarist Jeff Gunn offers a series of exercises designed to get you used to playing harp harmonics, a technique that produces chime-like tones, on acoustic guitar.
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Those who know Eric Johnson only for his rock instrumental “Cliffs of Dover”may be shocked by the guitarist’s first all-acoustic set.

“I found it really freeing, to be able to think about these things as characters instead of as myself,” says Warren, talking by phone just before hitting the road with the Indigo Girls.

David Bromberg is back at the top of his game, playing blues that are as funny as they are sad and talking about old songs, new chords, and his custom Martin 0000s.
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Bored of soloing with the major scale or the minor pentatonic? Looking for something new to help expand your musical palette? The Mixolydian mode might just be the thing. This mode can be a great tool for improvising in blues, jazz, rock, or practically any other style.

Songwriter Peter Mulvey visited my home studio while on tour in upstate New York and walked me through his song “The Knuckleball Suite.”

If you have a fondness for carpal tunnel syndrome, read no further. Everyone else, follow me to a product that’s brimming with awesomeness.
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Any guitarist who’s ever scored a vintage instrument has likely wondered about the music, travels, and caretakers it has known. That reflection is the inspiration behind Richard Shindell’s “Your Guitar,” from the singer-songwriter’s most recent album, Careless (Continental Record Services). Shindell recorded the song not on an old guitar, but…

The Batson Americana is visually striking: The ebony fretboard, bridge, and tailpiece make a beautiful, chocolate-hued center line against the vanilla-shaded, solid Sitka spruce top; and the light-colored, solid mahogany back and sides have a honey-hued, koa-like sheen.

The Cort Frank Gambale signature model is a collaboration between the guitar company and the artist, who oversaw almost every detail of this guitar. Gambale, a jazz-fusion shredder who often records and performs acoustically, wanted an acoustic that played like an electric, and he has put his personal stamp on the Luxe.
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The 712e 12-fret, a member of the newly refreshed 700 Series, is Taylor’s most recent variation on the Grand Concert platform. And it’s one sweet guita

The Guild D-40 has a long history of producing an iconic sound. Much of the desirable tone heard on 1960s folk-revival recordings is compliments of a Guild D-40, which was introduced in 1963.

The CS-Bluegrass-16's sound is nicely split between robust fundamentals and shimmering overtones. It’s everything a fine dreadnought should be—and then some.

The contemporary pop-music scene boasts a small, but enthusiastic, cadre of tenor fans seeking to add color to their stage and studio sound.
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‘My first memory of a Weissenborn was seeing them—not even hearing them—and going, “God, that’s one of the more beautiful instruments I’ve ever seen come through the doors of my family’s music shop.”’

Michaela Anne's songs are filled with thoughtful, probing, literate subjects. Give a listen. She stopped by the Acoustic Guitar Sessions studio, with guitarist Daniel Knobler, to perform three other songs from that a: "Living Without You," "Stars," and "Won't Go Down."