
Patreon Song of the Month: “The Roving Gambler”
Built on just three cowboy chords—the I, IV, and V in the key of E—this traditional tune is easy to learn and fun to play.

Built on just three cowboy chords—the I, IV, and V in the key of E—this traditional tune is easy to learn and fun to play.

Mastering engineer Mike Walker found this previously undiscovered arrangement of the traditional Irish jig while organizing and digitizing the fingerstyle master’s transcriptions.
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From the Summer 2026 issue of Acoustic Guitar magazine There’s a certain kind of guitarist whose influence becomes so embedded in the acoustic guitar world that it can be easy to forget how fresh and unusual they once sounded. Jorma…

This arrangement is based loosely on the version recorded by Ricky Skaggs and Tony Rice (1980), and it works as a study in traditional flatpicking accompaniment.

“Honolulu March,” recorded by guitarists Pale K. Lua and David K. Kaili around 1914–15, reflects the early steel-guitar style that captivated mainland audiences during the first Hawaiian-music craze. Lua was one of the early lap-steel players to record commercially and tour the mainland with…
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From the Spring 2026 Issue of Acoustic Guitar magazine With this issue, Acoustic Guitar settles into its new quarterly rhythm. At a time when publishing—and so much else—feels unsettled, the change has prompted us to look closely at what belongs in each…

This transcription of the Carole King classic comes from the original studio recording—played in G but sounding in A, thanks to a capo at the second fret.

Walking through NAMM for hours, what stood out just as much as the guitars themselves were the players, many of them young and clearly invested in the instrument.
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Built with salvaged stage wood and Texas tonewoods, this one-of-a-kind commemorative guitar has a built-in history.

The acoustic world lost some singular voices in 2025.

2025 was as much about old ideas made new as it was about new ones pointing toward the acoustic guitar’s future. Here we look back at a cross section of the guitars and accessories that defined it.
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Our January/February 2026 issue features stories, songs, and lessons with a common thread of renewal—whether it’s a fresh design, a rediscovered piece, or a musician learning to hear the guitar anew

As his company’s 50th anniversary approaches, Hoover is still refining his craft and pushing the guitar in both subtle and profound ways.

The acoustic guitar remains relevant because of the people who continue to do meaningful work with it. That’s why we make this magazine: to document and celebrate that work, and to keep the conversation going between musicians, makers, and listeners.

Interest in small-bodied parlor guitars—precursors to the bulky modern dreadnought—is skyrocketing. Learn all about these guitars, why players love them, and which model could be right for you.
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If there’s a thread running through this issue, it’s not reinvention for its own sake, but the idea that familiar forms still hold new meaning.

Julian Lage shows how to turn a single melodic line into a layered, expressive statement—with just one subtle move.

Much like Van Ronk himself wasn’t concerned with strict adherence to societal norms, the version doesn’t follow the original chords exactly.
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Meet the team behind Acoustic Guitar's new Teaching Artists series.

Singer-songwriter Margaret Glaspy demonstrates some of the guitar parts from her first solo acoustic effort—‘The Sun Doesn’t Think.’

In this lesson, Foley demonstrates the Maybelle Carter-pioneered Carter scratch, and the rhythmically rich, idiosyncratic fingerpicking style of Elizabeth Cotten.
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The guitar has an uncommon resonance and complexity, thanks to the harp’s extended arm, soundboard, and back

The transcription here is based on the version Flemons recorded for his 2018 album ‘Black Cowboys,’ which highlights the African American experience in country music.

We look back at some of the year’s most exciting guitars, accessories, and amplifiers, as well as albums that captured the diverse voices of acoustic guitar music.
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This fingerstyle Christmas medley includes “Angels from the Realms of Glory” and not one but two versions of “Away in a Manger.”