Nelson and friends put a bluegrass shine on a dozen of his original compositions on this new studio album.
Holovaty’s “first proper album” comprises ten instrumentals that celebrate his love for melody, improvisation, Chet Atkins, the Beatles, and Django Reinhardt.
Review: Tom Heyman’s ‘24th Street Blues’ Paints an Unflinching Musical Portrait of San Francisco’s Mission District
Heyman’s real-life character studies are the barflies, bohemians, hustlers, junkies, and unhoused families that line the streets.
Leggett has become a master of tones and textures, of perfectly matching instruments and moods, of using tunings to create distinct, sonically rich backgrounds.
Dig into 50 years of other-worldly guitar explorations from this unorthodox instrumentalist
Compared to 2021’s ‘Window to the World,’ ‘Little River Canyon’ feels simpler, without the former’s loops or pedals, recorded live in the studio with only one guitar.
Bhattacharya plays his self-designed chaturangui with equal parts passion and precision on this tribute to his mentor, Ali Akbar Khan
Diverse roster of artists reinforces the wide musical influence of the legendary guitarist.
The soundscapes on ‘Rings of Juniper’ are increasingly complex, their palettes more varied, their themes more ambitious than Cuylan's previous works.
The songs on Joe Henry’s latest album 'All the Eye Can See' refuse to give up their mysteries, the melodies wandering like question marks with the lyrics threading a thin line between knowing and unknowing.
Alpenglow is Trampled By Turtles' best-sounding album, filled with a sonic richness that keeps these songs driving forward.
A testimonial to the power of first takes, in-studio improvisation, and the post-pandemic persistence of nature and art.
The spareness of Birds in the Ceiling frees John Moreland to dig deeper into the darkness of these songs, to focus on a life where death is the only certainty.
On Up the Hill and Through the Fog, the Slocan Ramblers make a clean break from their folk-trad past and establishing three distinctive voices to make the group greater than the sum of its parts.
With his 7th full-length album, The Prize, Joe Robinson is reaching for the biggest prize of all: writing songs that are as good as his guitar playing.
Dark Enough to See the Stars is what we call a happy album for Mary Gauthier—the happiest album in her career, recorded at the happiest time in her life.
Billy Strings' Me/And/Dad is a happily unlikely outcome for father and son, a chance to record an album rooted so deeply in memory and gratitude, addiction and recovery.
Winter Hill Blues is Ryan Lee Crosby's strongest work yet, alternating between hard-droning blues on electric guitar and softer, brooding blues on acoustic guitars.
Bluegrass Elder Statesman Peter Rowan Still at the Top of His Craft with ‘Calling You From My Mountain’
There's a lived-in clarity to these songs: Over and over, Rowan bridges the distance between bluegrass tradition and Buddhist practice.
With the EPs Bluish and Edgework, guitarist Woody Harris has released his first new music in 42 years, and it’s a lifetime away from the folk albums he recorded in his 20s.
The 8 performances on Forever on my Mind, recorded live at Wabash College in 1964, are so different, they force us to rethink everything we know we about him.
Trevor Gordon Hall Crafts Expressive Instrumentals from a Variety of Guitars on ‘This Beautiful Chaos’
Using six guitars—a nylon-string crossover, a baritone, a Portuguese viola amarantina, steel-string acoustics, and an electric—Hall switches between solo and multitracking and different tunings.
Aoife O’Donovan's Age of Apathy is a different kind of pandemic album: engaged, ambitious, expansive.
There’s no one else like Paul Thorn, a walking contradiction with an honest sense of his shortcomings, an insistent moral compass, and a healthy dose of country funk.
Buffalo Nichols is writing songs that channel the music he heard growing up into a deeply lived vision focused on “putting more Black stories” into acoustic blues.