
Ralph Towner Revisits the Oregon Classic “Guitarra Picante” on Solo Guitar
Originally released in 1991 and re-released on this year's ‘At First Light,’ this challenging tune features nearly three dozen different chords.

Originally released in 1991 and re-released on this year's ‘At First Light,’ this challenging tune features nearly three dozen different chords.

“Sidewalk Chalk” is a lovely waltz with a beautiful set of chord changes. It’s also quite approachable and, like so much of Levy’s work, is a joy to play.
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Lightfoot recorded the song on a 12-string—specifically, a Gibson B-45-12—but it will work just as well on a six-string.

Both models offer ease of use, excellent sonics, and ability to capture wide dynamic ranges

The multi-instrumentalist scholar talks about how he found his own voice through the study of old and new songs, and what makes the ideal acoustic guitar.
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With its "quirky rhythmic and harmonic twists and turns," this piece moves all around the fretboard.

The arrangement is fairly undemanding of both the picking and fretting hands and makes strategic use of the open strings.

Cotten plays “Shake Sugaree” on a guitar tuned down a whole step, using chord shapes in the key of C major that sound in Bb.
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Lage talks about his uncommon use of the steel-string guitar in the evolution of his ensemble, as well as collaborating with his wife, singer-songwriter Margaret Glaspy

The brilliance of Watson’s right-hand technique can be clearly heard on this punishingly fast instrumental

The 1991 Collings Custom C10 (serial number 524) was James’ main flattop for three decades, and the one he considered his best.
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One of James' most popular tunes, “Talco Girl” is supported by a guitar accompaniment that would make a smart instrumental composition on its own.

Noguera's debut release showcases her effortless-sounding use of tapping and drum-like effects on her Lowden and Maton guitars.

“Most of the time I have no idea how the music comes from my fingertips while writing. It’s not like I’m going for some genre or sound. It just happens!”

It’s one thing to play blazingly fast Travis picking, and quite another to sing at the same time, as Joe Robinson does.
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![Cover artwork for the ablum 'Traveling Wilburys Vol. 1]](https://i0.wp.com/acousticguitar.com/wp-content/uploads/2023/03/TRAVELING-WILBURYS-VOL-1.jpg?fit=750%2C568&ssl=1)
George Harrison, Jeff Lynne, Roy Orbison, Tom Petty, and Bob Dylan had so much fun recording this song that they ended up making a band together.

While hybrid picking lends a certain definition and crispness, especially on the bass notes, straight fingerpicking will work equally well on the two pieces.

It has a non-Western vibe, but at the same time connects to the Travis picking tradition
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Since Grant Gordy's 2010 self-titled debut album, he has used bluegrass as a foundation while stretching out far beyond the genre’s confines to find his voice as an improviser, composer, and arranger.

For the last decade, luthier Tim Frick has quietly been pushing the envelope on the design of the archtop guitar.

This guitar lesson is based on Little Feat’s original recording of "Willin'," a duet with George on vocals and acoustic guitar and Ry Cooder on bottleneck electric guitar.
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Steve Nall recently took over selecting tonewoods and voicing the tops and backs of all Collings acoustic guitars after working for decades with mentors Bill Collings and Bruce VanWart.

With a little thought into how you store and display your guitars, you can keep them in optimal shape, ready to receive your ideas when inspiration strikes.

This classic song captures the ethos of the early hippie era and is played in the key of A minor, with a capo at the fourth fret causing the music to sound in C# minor.
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Despite uncertain times, makers unveil guitars, guitars, and more guitars. There have been many new gear releases in the past 12 months - in this story, we explore the year's highlights and trends.