These articles originally appeared in the February 2019 issue of Acoustic Guitar magazine.
While My Guitar Gently Smirks: Ben Fong-Torres Reflects on Learning Guitar as an Older Adult
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Ask the Expert: How to Know When to Hang ‘er on the Wall
I have a Takamine dreadnought that I bought used, and it has been a trusted companion for the past ten years. I like it because it was affordable when I was just learning, and it sounds good. It’s become harder and harder to play in the last six months, so…
Review: Izotope Spire Studio Captures Inspiration On the Go in High Fidelity
Eric Bibb Draws on Blues, Folk, Gospel, African, and More on ‘Global Griot’
In a career spanning five decades, singer, songwriter, and guitarist Eric Bibb has proven to be a musical alchemist—combining heaping helpings of blues, gospel, folk, and world music styles into a distinctive and magical amalgam that feels like its own genre. A relentless collaborator, through the years he’s shared albums…
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Great Acoustics: Twin Steve Klein L-45.7s
Beyond Rosewood: 12 Mid-Priced Alt-Wood Guitars
Adam Buchwald of Iris Guitar Company & Circle Strings
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‘The Wreck of the Old 97’ – Learn to Play This Classic Railway Ballad
Wendy Eisenberg, Arian Shafiee, and Tashi Dorji: Three Improvising Guitarists in Search of Uncommon Sounds
‘Both Sides Now’ – Two Distinct Approaches to the Joni Mitchell Classic
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Woodshed: Learn a Jazz-Meets-Punk Version of ‘When Johnny Comes Marching Home’
Video Lesson: Inside Joni Mitchell’s Inventive Guitar Style
Video Lesson: All About the 12-Bar Blues Form
Weekly Workout: Modes Demystified – A Guide to the Seven Modes of the Major Scale
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Gear Review: Genzler Acoustic Array Mini
After setting up shop in a garage in Phoenix, Arizona, in the early 1980s, Jeff Genzler, a professional musician and electronics enthusiast, did much to advance the art of bass amplification with his state-of-the-art class-D solid-state amps. With the introduction of the Genz-Benz Shenandoah line in 2001, Genzler began treating…