The new 50s LG-2 is no exception. As soon as I picked it up, this guitar felt instantly familiar, and it was easy to imagine that I was holding a new old stock guitar, straight from the 1950s. After years of trying out heavily played vintage models, I feel like I know well just how this guitar will age after years of playing.
For the new Builder’s Edition collection, Taylor master guitar designer Andy Powers has selected various models—from the 300 series up to the 900 series—and outfitted them with a variety of pragmatic and experimental upgrades.
Farida's latest offerings are contemporary takes on a couple of wartime Gibson models: The OT-65 Wide VBS, inspired by the popular Gibson J-45, and the more petite 00-size OT-25 NA modeled on the lesser-known Gibson LG-3.
If I hadn’t had their spec sheets in front of me, I might not have known that a pair of new Taylor guitars were affordable instruments. The new Taylor Academy 10e dreadnought and 12e Grand Concert each sell for well under a grand with a deluxe padded gig bag. Both…
utch Boswell, a self-proclaimed “wood junkie,” is taking his 20 years of guitar repair skills and putting them toward building one-of-a-kind instruments that cater to his clients’ individual needs. Boswell builds guitars in small batches of two or three instruments at a time at his shop in Bend, Oregon.
The 00L-17 sounds every bit as awesome as it feels. It’s got a lovely, uncluttered sound, heavy on fundamentals but with shimmering overtones and a nice natural reverb. The string-to-string balance is excellent, as are the projection and sustain. It’s definitely a more powerful instrument than would be expected of one of its size and scale length.
The 00-15E’s mahogany soundboard isn’t as excitable as spruce, but the guitar is responsive whether I’m playing gently or digging in with a pick. Single-note lines and complex chords alike are clear and brilliant up and down the neck.