
How Ben Garnett Turns the Acoustic Guitar into the Engine of a New Kind of String Band
The guitarist and composer succeeds in making the kind of music that Duke Ellington approvingly called “beyond category.”

The guitarist and composer succeeds in making the kind of music that Duke Ellington approvingly called “beyond category.”

Born in Karachi, Pakistan, and raised in Los Angeles, Abbasi has been a stalwart member of the New York jazz scene for more than three decades.
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Loaning instruments to be used in Hollywood films is only a small part of the Teaneck music store proprietor's business, but it makes for some good stories, as the following interview shows.

As his namesake company celebrates its 50th anniversary, Lloyd Baggs reflects on his fascinating career, from transforming the world of acoustic sound to crafting custom guitars.

As evidenced by a retrospective exhibit at the Country Music Hall of Fame and Museum, the daughter of one American musical icon, Johnny Cash, and stepdaughter of another, June Carter Cash, has built an estimable reputation for herself.
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On a long, jovial Zoom call, Elkington and Salsburg spoke to Acoustic Guitar from their respective homes about the nuts and bolts of their work as a duo.

Segarra’s return to the acoustic guitar marks a new integration of the band’s American folk roots with a more sophisticated level of songcraft.

The acoustic has found its way back into the classically trained Austrian guitarist’s studio and live work over the past decade.
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Webman tells the story behind one of the most intriguing pieces of guitar technology to emerge in the past decade.

When Richard Thompson plugs in his Stratocaster, fireworks regularly ensue. But his playing is equally brilliant when he picks up a Martin, Ferrington, or Lowden and goes unplugged.

Advances in recording technology would open up multiple new dimensions for the music business.
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A long-time practitioner offers technical and aesthetic advice for acoustic players interested in pursuing fingerstyle guitar.

When you see the words “jazz guitar,” what pops into your mind’s ear first? Odds are that you hear the clean, smooth, rich sound of an electric archtop, possibly with its tone knob rolled down for extra low-mid emphasis, picking out chord melodies à la Joe Pass or octave lines in the manner of Wes Montgomery. Without a doubt, this is the stereotypical jazz guitar sound, but over more than 100 years of history, there have been many others. And a significant percentage of them were (and are) produced without the aid of a pickup, cable, or amplifier.

A look at bossa nova's impact on popular music and how the acoustic guitar is at its core.