Ask the Expert: Which Guitar Polishing Products to Use—and Which to Avoid

I recently purchased a Martin DX Johnny Cash, which is made of laminated material. What are my options for cleaning the body, neck, and fretboard?

Photo: Bill Evans
Photo: Bill Evans

I recently purchased a Martin DX Johnny Cash and love it. For my solid-wood guitars, I’ve always used Dunlop polish and a soft cloth for smudges. Since the DX is made of laminated material, should I stick with the same approach, or is there a better option for cleaning the body, neck, and fretboard? Also, is humidity a concern for this type of construction?  —David Bellamy

First of all, congratulations on the new guitar! This may seem like a simple question, but those are frequently the ones worth asking. In my repair work, I have often wished more folks would take the initiative to keep their guitars clean. I’ve troweled off more fretboard grime than I’d care to remember.

It sounds like you’re on the right track with your cleaning approach: the guitar-specific cleaning and polishing solutions from companies like Dunlop, D’Addario, and StewMac are formulated to work well on typical guitar finishes and are free of some potentially problematic additives that can sometimes be found in more general-purpose cleaning products.

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Touching quickly on these, I usually advise people to avoid products marketed as a polish. Many of those found in hardware stores are intended to leave a film of wax, oil, or other residue on the surface. This can be fine when trying to shine up and protect a kitchen table, but it’s almost never necessary or desirable for a guitar. Some, such as Briwax, also contain fairly aggressive solvents like toluene, which can soften or attack lacquer. 

Other solvents, such as alcohols, acetone, and even strong vinegars or other acids, could potentially be problematic. Oils can wick into the checks on lacquer finishes, leaving ugly blotches that are impossible to get rid of. Most of the time, the guitar will look best if it’s simply given a gentle and careful cleaning. 

The last of the big bad ingredients to avoid is silicone. Some products, like ArmorAll, contain it, and should never be used on a guitar surface, as it can complicate future repairs or touchups.

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In situations where a guitar has been extensively played and requires a deep clean, sometimes a damp rag or guitar cleaner isn’t quite enough. More than once, I’ve experienced cases where the grime layer on a guitar would soften up but not come off. Instead, it would drift around and leave a haze that looked lousy and was stubbornly resistant to removal. The best remedy here is avoidance—regular cleaning means your guitar won’t likely ever get to that point. But in cases where something more heavy-duty is needed, or when removing a sticker or some old tape residue, the safest solvent for most guitar finishes is naphtha, commonly available in small quantities as Ronsonol lighter fluid.

The laminate portion of your guitar is quite resistant to most things, so I would have no concern about using the same products to clean the back and sides of your Martin. One concern with laminate: on the HPL material used on your DX, the color and even wood grain can sometimes be a thin cosmetic layer on the surface. Despite their robustness, these materials are not bulletproof, so I would recommend carefully avoiding any abrasive cleaning products, such as “magic sponge” eraser pads. These have their uses around the home, but they’re best reserved for cleaning shower tiles. They can leave unsightly scuffs or worse on your guitar.

One of the best things about laminated guitars is their resistance to humidity changes—the tops won’t crack in dry conditions, and the setup usually remains more stable throughout the seasons. However, the bracing in your guitar is still made of wood, as is the bridge on some laminate models. The bond between dissimilar materials is always a potential weak point, and I have seen cases of loose bracing in laminated guitars when the braces reacted more to humidity than the top. I’ve also found that the HPL material is less porous and thus sometimes less receptive to glue than wood. Despite the construction, I’d advise sticking to best practices: avoiding sudden changes in heat or humidity, keeping the guitar away from heat sources or direct sun, and not leaving it in a hot car. However, you shouldn’t need to put a humidifier in the case, which makes it a great candidate for leaving it on the couch in the wintertime for easy access.


Acoustic Guitar magazine cover for issue 350

This article originally appeared in the July/August 2025 issue of Acoustic Guitar magazine.

Martin Keith
Martin Keith

7 Comments

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  1. What about Comet? I used Comet on my 1942 Martin D-28, and it looks a little weird. Did I do something wrong?

    Just kidding. I don’t have a D-28, and only use Comet (sparingly) on the bathtub and toilet.

    But seriously, what do you think of Dr. Duck’s Ax Wax? I use it on all my “regular finish” guitars, both on the body and fretboard, again sparingly.

    And what about a classical guitar with a French polish finish? Will the standard cleaners you recommend (or the Dr. Duck) damage it? I’ve always hesitated to use anything on it beside a damp cloth.

    And thanks again for the neck reset on my Gryphon and fretwork on my Papazian!

  2. Thanks for the info. I use Howard Feed-N-Wax–a combination of beeswax/orange oil–on my fretboard and bridge every time I change the strings (every 2-3 months); I use old socks to apply it and then remove the excess.
    I use Dunlop Formula No. 65 for a quick polish of the lacquered body. I use a microfiber cloth but have to avoid rubbing the Sharpie ink from where I got it signed by Richie Furay. :o)

  3. Hey, I’m a Dr Duck user & have been for years; ever since a Fender tech recommended it for natural finish guitars. Hopefully it’s still doing what it’s supposed to. Please let us know what you think of the stuff.

  4. Hey, I’m a Dr Duck user & have been for years; ever since a Fender tech recommended it for natural finish guitars. Hopefully it’s still doing what it’s supposed to. Please let us know what you think of the stuff.

  5. I have a laminated back and sides Epiphone AJ. After acquiring it, I replaced the nut, saddle and bridge pins. The sound improved. After many hours in the sun, I noticed that the bridge was separating from the top. Took it to be fixed by Wolf and company at Berkley College of Music. Wolf told me that Epiphone had attached the bridge after the top was lacquered. He said that he sanded the top and re-attach the bridge. The sound was so much better than before I decided to keep the guitar. I have another Epi that is solid spruce top with rosewood sides and back. They both are now equals.

  6. Howdy, I have a weathered 12 string with a badly cracked laminate finish. It is old and I put the money into repairing it to playability, as it has sentimental value to the person it is going to. I want to know what your suggestion is for cleaning the smudges and grime off the already damaged finish without making things worse. I know I need to have it refinished completely, but that is secondary. I’d just like to give it in a cleaner state than it is in. Here is what I am assuming: a very tightly woven microfiber cloth like for glasses, with nothing to grab the loose grains, following the grain carefully not across. Do you have any other suggestions for me? Thank you so much!

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