
Learn the Guitar Composition ‘Chapdelaine’ by Dennis Hayes
Michael Chapdelaine told his life story to San Francisco composer and guitarist Dennis Hayes, who then felt moved to compose a piece

Michael Chapdelaine told his life story to San Francisco composer and guitarist Dennis Hayes, who then felt moved to compose a piece

“Sometime Next Summer,” from his 2014 album Fly on the Wall, reveals the guitarist’s melodic inventiveness
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Even if you’re not a classical player, mastering pieces such as this offers a great learning experience for any fingerstyle guitarist, because it not only teaches picking-hand techniques that are independent of set patterns but also demonstrates excellent form and structure.

Like millions of Americans, Eric Skye, the virtuoso jazz and roots guitarist, is currently under a shelter-in-place order—and making the best of it. He’s been hunkered down at his home, in Portland, Oregon, cooking and playing guitar with his wife and children, and contemplating on what is happening in the…

Beyond the blues techniques, there is a seriously bittersweet tone to Davis’ guitar on “Cocaine Blues.” It seems to come from a very deep place in his soul.
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“The Girl from Ipanema,” a prime example of the bossa nova idiom, is one of the most covered songs in recorded history. Here we explore Charlie Byrd's dropped-D interpretation.

To really play “Guitar Peace” authentically, you’ll want to improvise on Strings’ riffs.

Overall, the rhythm of “Picking the Guitar” lies somewhere between ragtime of the early 1900s and the hot music of the 1920s.
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This flatpickers' favorite is ubiquitous at old-time, Celtic, and bluegrass jams.

This delightful arrangement serves as an excellent introduction to ragtime in general.

These 17 solo arrangements in Celtic Songs for Fingerstyle Guitar are from the British Isles and beyond, in Orkney and other tunings, with standard notation, tablature, and performance notes.
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With some beautiful cross-picked variations and gorgeous harmonic colors, this arrangement is best when you slow down and give the melody space to breathe.

It can be a challenge to play keyboard music on guitar, but we share Renbourn's clever fingering strategies to keep the music smooth and flowing.

This solo-guitar arrangement moves twice through the song’s simple verse/chorus form, set in the key of E major. The first verse features contrapuntal motion with inner lines moving under the melody.

Andalusian-born Julian Arcas (1832–82) was perhaps the greatest Spanish classical guitarist of his time. This guitar lesson shows how to play his song, "Bolero."
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Among the many cool moments of Molly Tuttle’s variations are the jazz-informed block chords that suddenly appear in bars 61–65.

You won’t be able to play this piece effectively unless you approach it with a meditative spirit and, most important, a delicate touch.

Of his solo guitar composition, Diego Garcia says, “It’s simple Spanish cadences meet Merle Travis.”
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As with learning anything new, when tackling this jazzy arrangement of 'America the Beautiful,' take it slowly and work on getting a beautiful tone in both hands.

Go with whatever pick suits you best, and remember to use alternate picking on the eighth notes—down on the downbeats and up on the upbeats.

“The Entertainer,” Scott Joplin’s 1902 ragtime piano masterpiece, is known the world over and is a great challenge for the blues fingerpicker.
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Tuning her guitar to open D, and placing a capo at the fourth fret, she sat down, started playing, and immediately happened upon the main theme.

Grab a flatpick and a metronome and set aside a generous amount of time in the woodshed, as in this lesson you’ll work on the blazing guitar leads and swinging rhythmic accompaniment.

George Harrison's electric riffs work just as nicely on the acoustic and though this may be a challenging arrangement, it's worth practicing to achieve a properly rocking groove.
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To transfer “Song for Liam” from his mind to the guitar—namely, a Yamaha F310, a modest instrument whose heavy overtone content appeals to him—Curran chose DADGAD tuning, with a capo at the third fret, exploiting the open strings for both melodic and textural effect.