“As in a painting, the melody should be the subject right up front, close to your eyes, and the bass should be the mountains in the background,” D’Agostino says.
In this lesson, Bruce Molsky demonstrates how the guitar tradition from Madagascar takes in not only local music elements but classical and pop influences from everywhere.
“Yiddishe Hora” is a piece written in the early 20th century by composer, violinist, and bandleader Alexander Olshanetsky. Here it is arranged for solo guitar.
Check out Jeffrey Pepper Rodgers' fingerstyle guitar arrangements of 3 Christmas classics: “The First Noel,” “Joy to the World,” and “God Rest Ye Merry Gentlemen.”
Guitarist Alan Barnosky teaches an acoustic guitar arrangement of the melodic fiddle tune “Old Grimes,” as interpreted by Julian Lage and Chris Eldridge
A common question advancing flatpickers have is how and when to play up the guitar neck. The old favorite "Salt Creek" gives a good example of how to do it.
Learn a solo guitar arrangement of "Dance of the Hounsies," a voodoo-inspired work by guitarist-composer Frantz Casseus, aka the "father of Haitian classical guitar."
Despite its popularity among fiddlers, “Leather Britches” is less known with flatpickers—surprisingly so, as it is fun to play and lands well on the guitar.
Many guitarists flock to Tony Rice because of his jaw-dropping leads. However, Rice’s epic solos are only a small element of what made his music so special.
Mexican composer Manuel Ponce's most successful piece by far is “Estrellita” (“Little Star”), a romantic song for which he wrote both music and lyrics in 1912. The tune is beloved throughout the Spanish-speaking world and has been hugely popular since the 1930s.
“It’s become an annual tradition for me to do this song, and finding ways to reharmonize it but keep the melody and essence intact is a fun challenge."