The Pro Series Concert includes some of the maker’s signature touches in a well-made instrument that’s ready for the stage or studio.
Greg Olwell June 29, 2023
Are $45 Guitar Picks Worth the Cost? When boutique flatpicks first appeared on Adam’s radar, he was dubious of the concept, having been perfectly content with the standard, 30-cent variety that he’d used for decades…
Most gigging acoustic guitarists know the importance of a great-sounding, reliable preamp/DI box. Not only will a DI allow you to directly interface with a house PA system via the XLR output, but the preamp can help you sculpt the best possible sonic reproduction of your guitar via EQ,…
The most common materials for bottleneck slides are steel, brass, glass, and ceramic. I have also seen slides fashioned from copper tubing and plastic cylinders. Now comes the MagSlide, made of magnesium, the eighth most abundant element, as well as the lightest structural metal on earth.
There has been a revolution of sorts in guitar making over the past 15 years. RainSong, Blackbird, Composite Acoustics, and now KLOS have developed carbon-fiber instruments that can withstand the elements of extreme heat, cold, and moisture without suffering damage.
No matter how I played the Angelus, it delivered a nicely proportioned sound, with a spanky top end layered over a controlled bass and midrange. The low end wasn’t cavernous or boomy, which helped it feel balanced across the frequency range, especially useful for fingerstyle parts on open tunings and easy to control through a loud amp.
When it comes to strings, guitarists seem to fall into one of two categories: some obsess about gauges and materials, while others tend to put on whatever is laying around or happens to be on sale at the local guitar store.
he player who ends up favoring the Fender Acoustasonic Telecaster is anybody’s guess, but it’s likely to be a musician who places a priority on functional, accessible tools. It’s certainly going to find an audience among those who need acoustic and electric tones at the ready and value the Acoustasonic’s looks and high level of comfort.
Farida's latest offerings are contemporary takes on a couple of wartime Gibson models: The OT-65 Wide VBS, inspired by the popular Gibson J-45, and the more petite 00-size OT-25 NA modeled on the lesser-known Gibson LG-3.
When you think of the Collings guitar company, one of the things that stands out is nonpareil workmanship. The new C100 is certainly no exception. Although it’s not a fancy guitar by any means, everything about it shouts “quality.” The mahogany back, sides, and neck and Sitka spruce top are…
The CloudVocal iSolo Choice is a wireless condenser microphone specifically designed to capture the full dynamics and tone of an acoustic guitar, attach and detach easily from your instrument, and free you from dangling wires.
Our pitch to makers was simple: Send us a guitar that uses no rosewood and has a real-world cost of $500–$1,500. Since some makers have many models that qualify, we limited each brand to one guitar of any shape or size, with or without electronics or a cutaway. Laminated and solid woods were okay, but no composites such as carbon fiber (that’s a roundup for another time). What you’ll see over the following pages are a dozen acoustic guitars, presented alphabetically, that show off some of the delightful choices available in this popular price range.
After setting up shop in a garage in Phoenix, Arizona, in the early 1980s, Jeff Genzler, a professional musician and electronics enthusiast, did much to advance the art of bass amplification with his state-of-the-art class-D solid-state amps. With the introduction of the Genz-Benz Shenandoah line in 2001, Genzler began treating…
The tension, feel, and tone of the SP strings brought a Gibson SJ-200 to life and drew in AG colleagues to compliment the guitar’s lively sound. Likewise, the Marquis Silked gave a Collings D41 dreadnought bountiful tone, with a focus and definition that made this guitar sound better than ever.
How do you choose which guitars to review? Our writers are guitar fanatics, just like you. They’re always on the lookout for new or updated offerings to recommend. We’re sometimes asked why we don’t publish negative or one-star reviews – there are so many great guitars being produced today that we’d rather share our balanced opinions on the instruments we do think you should consider.
Do companies pay for you to review their instruments? No. We are proud of the firm separation between advertising sales and editorial coverage that we’ve held strong since our founding in 1990. We only accept endemic advertising – meaning, you won’t see ads for products or services unrelated to making music with an acoustic guitar; inevitably that means we’ll review products made by companies who advertise with us, but you’ll see just as many reviews by companies who do not. We have never (and will never) take money or gifts in exchange for a favorable review.
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