
Guitar Talk: The Exotic Instrumental Flights of Steve Tibbetts
Steve Tibbetts’ music is impossible to pigeonhole, leaning towards jazz, avant-garde, and modern classical, but he doesn’t fit neatly into any of those categories.

Steve Tibbetts’ music is impossible to pigeonhole, leaning towards jazz, avant-garde, and modern classical, but he doesn’t fit neatly into any of those categories.

Anthony Russo wanted Petteway to visit his house and play his collection of luthier-built guitars, so that he could hear what they sound like from a listener’s perspective, and, more important, document them on a recording.
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Lage has long since shed his child prodigy status to become one of the great jazz guitarists, if not one of the most brilliant musicians in general.

Alberto Lombardi is in love. After 25 years as a producer, arranger, and electric session player, the Italian guitarist has given his heart to acoustic guitar. He credits Tommy Emmanuel for his conversion, and Emmanuel’s stylistic influence can be heard on Lombardi’s first acoustic album, Birds (Fingerpicking). The 2016 album…

The name is an acronym from the names of the members: pianist/vocalist Fiona Joy, guitarist Lawrence Blatt, flugelhorn master Jeff Oster, and Ackerman.
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The superb British DADGAD guitarist Sarah McQuaid (profiled in the October 2015 issue of AG) was presented with a lifetime achievement award at this year’s popular Ards International Guitar Festival in Northern Ireland (near Belfast), now in its twentieth year. McQuaid is the first female guitarist to win the award,…

This summer, upwards of 30 young guitarists will participate in the first-ever Guitar Foundation of America’s (GFA) Guitar Summit

“A lot of experimentation mixed with, hopefully, a good teacher that plays well can be a path to finding your tone or sound,” says the Grammy-winning guitarist.
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Today’s rising generation of bluegrass musicians carries on the tradition of remaking the tradition in their own way, as is clear from these conversations with six standout guitarists.

Ron Block discusses his formative influences, buying his first good guitar at his father’s music store, his tunings, and the best way to start learning to play bluegrass.

Those who know Eric Johnson only for his rock instrumental “Cliffs of Dover”may be shocked by the guitarist’s first all-acoustic set.
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I’m not Jewish. I’m a redneck from North Carolina. But I made this journey from hillbilly to playing Jewish music, because what I like is music with soul.

It's hard to overestimate the impact Will Ackerman’s first album of reflective music had on the acoustic-guitar world.

“At one point, I was like Mr. Guitar in Greenwich Village,” says Bruce Langhorne, talking by telephone on the 50th anniversary of "Mr. Tambourine Man"'s release.

There’s a lot about the way Bryan Sutton plays guitar, but it’s all about flow and movement, and moving forward through something.
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In a debt to Robbie Basho, Osborn calls his approach “free-raga style” or “American raga.”

Fifty years have passed since Simon and Garfunkel released Sounds of Silence, the duo’s breakthrough album. In that time, “I Am a Rock,” “Richard Cory,” and the title cut have become folk-rock classics. But the record covered one already-beloved song: “Anji,” an instrumental by Davey Graham, was well-known among British…