ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

ADVERTISEMENT

Ryan Shupe and the RubberBand

Review: Ryan Shupe, We Rode On

Briskly galloping out of the gate, the title track of Ryan Shupe’s self-released eighth album, We Rode On, announces the former country-chart-topper’s transition to alternative artist. This collection is bright clangoring pop-rock, focused on moving forward, but it’s grounded in the building blocks of Shupe’s bluegrass past—his earnest everyman vocals…

New CD Offers Kurt Cobain Acoustically & Otherwise

Three songs into the 13-track Montage of Heck, a compilation of raw, lo-fi home demos and other recordings Kurt Cobain made, is a happy little acoustic instrumental titled, appropriately, “Happy Guitar.” Its Gypsy-jazz chording and fingerpicking reveal a perhaps unexpected fascination the late Nirvana front man seemed to have had…

ADVERTISEMENT

Allmans Show Their Acoustic Side on ‘Idlewild South’ Reissue

by Mark Kemp Forty-five years ago, the Allman Brothers Band went acoustic. Sure, Idlewild South was only the group’s second album, but from Duane Allman’s joyous strumming that kick-starts “Revival” to his ominous acoustic riff that drives the mournful “Midnight Rider,” the record was quite a departure from the sustained…

James Taylor

James Taylor Reconnects with His Muse on ‘Before This World’

"I like the idea of slow evolution and practice, the way the Japanese revere their masters and pass their technique down to subsequent generations,” says singer-songwriter James Taylor, whose recently released hit album, Before This World (Concord), marks the second-longest wait between an artist’s debut on the Billboard charts and the coveted No. 1 spot.

ADVERTISEMENT