This excerpt from the Weekly Workout guide series will get your fretting-hand fingers moving in new ways and help you learn the fingerboard.
Excerpted from Weekly Workout: Harmonized Major Scale Pentatonic Licks | By Scott Nygaard
This week’s workout starts with a familiar-sounding major-pentatonic phrase in G major (measure 1). Each subsequent measure takes this phrase and moves it up a step in the G major scale from the previous measure in a mirror of the first measure. So measure two starts on an A, measure three on a B, etc. You may notice that these phrases outline the chords in the key of G: G, Am, Bm, C, D, Em, F#dim, and G, again (measure 8).
Since we started with a major-pentatonic sound we’re going to modify the order of intervals slightly on the minor chords to give them more of a pentatonic flavor, though minor instead of major. For example, in the middle of the measure, the initial idea moves down a third from the root to the sixth and then a second from the sixth to the fifth. But against the minor chords we’ll flop those and move down a second from the root to the seventh and then a third from the seventh to the fifth to give it more of a minor-pentatonic sound.
I’ve included some slur possibilities here, but you might want to start by picking all the notes first and then adding some of the slurs as you like. You could also try playing some of the open-string B notes at the fourth fret (measures 3, 5, 6, and 8). In measure 8, you could even try sliding from the A note on the and of the first beat into a B note that follows it at the fourth fret and moving the whole phrase up into a partial F shape, with the D and G notes played at the third fret with the index finger.