Pete Madsen

Pete Madsen

Pete Madsen is an acoustic blues, ragtime and slide guitarist from the San Francisco Bay Area. He's the author of Play the Blues Like..., an essential guide for playing fingerstyle blues in open tunings.

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Guild Jumbo Junior, Martin D Jr. E, and Taylor Taylor GS Mini-e travel guitars

Guitar Roundup: 3 Travel Guitars Reviewed

Scaled-down is the new “bigger is better,” a design aesthetic for guitars that are easy to transport, gig-ready, and quite attractive. These days, modern guitar players value portability in addition to tone, playability, and visual aesthetics, and the industry is responding with compact acoustic axes that travel easily, accommodate players with small hands or ergonomic challenges, fit into cramped living spaces, and suit modest budgets.

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Cort Frank Gambale Luxe acoustic guitar

Video Review: Cort’s Frank Gambale Luxe Is a Fast-Playing Flattop

The Cort Frank Gambale signature model is a collaboration between the guitar company and the artist, who oversaw almost every detail of this guitar. Gambale, a jazz-fusion shredder who often records and performs acoustically, wanted an acoustic that played like an electric, and he has put his personal stamp on the Luxe.

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Banner headstock of a Gibson J-45 Vintage

Review: Gibson’s J-45 Vintage Is a Winning Workhorse [VIDEO]

Some skeptical guitarists might see phrases like “thermally cured” and “hide glue” as mere marketing tools, but there’s no denying that the J-45 Vintage has a full, rich voice with excellent definition and note separation. When I play it in the Carter style, I’m struck both by the depth of the bass notes and the crispness of the chordal accents. When I pick some G runs, I’m taken with the string-to-string balance and the thickness of the single notes.

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Video Lesson: Express Yourself Through Slurs, Bends, and Vibrato

One of the best ways to add an expressive character to your playing is through the use of slurs (slides, hammer-ons, and pull-offs), bends, and vibrato. So much of the vocal quality guitar players like to emulate comes from the fret-hand manipulation of the strings. In this lesson, you’ll take the A minor pentatonic scale and use it to create musical phrases that allow you to manipulate the strings using these various techniques.

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