
Three Christmas Carols for Solo Acoustic Guitar
Jeffrey Pepper Rodgers teaches simple arrangements for "Angels We Have Heard on High", "Silent Night", and "O Holy Night" that let the melodies shine.

Jeffrey Pepper Rodgers teaches simple arrangements for "Angels We Have Heard on High", "Silent Night", and "O Holy Night" that let the melodies shine.

In 2010, during a visit to New York City, Ben Harper stopped into the guitar mecca Rudy’s Music to check out instruments. He was sampling a series of top-of-the-line archtops when a guitar stopped him in his tracks: an instrument by renowned luthier John Monteleone. Though Harper is best known as a lap steel player who brought vintage Weissenborns into the limelight of contemporary roots-rock, he heard in that archtop a tone quality that he’d been seeking for years, and he wondered whether Monteleone would consider building a guitar for lap slide.
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Released as the first single from Ben Harper’s album Both Sides of the Gun, “Better Way” topped the AAA charts in 2006, but the song’s call to stand up for your rights and ideals continues to reverberate. The (Dixie) Chicks…

What’s most striking on this rich, satisfying album is Jarosz’s growth as a songwriter,

“I am an old woman.” So goes the opening of “Angel from Montgomery,” first released in 1971 by John Prine, who was neither a woman nor old. Along with songs like “Hello in There” and “Sam Stone” on his self-titled…
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Back in 2006, Anaïs Mitchell was in a Vermont studio with producer/guitarist Michael Chorney working on her album The Brightness. Then in her mid-20s, she was already a rising star of the singer-songwriter world, winning the Kerrville Folk Festival’s New…

Guthrie is in many ways our prototypical singer-songwriter, showing the young Bob Dylan, among countless others, how to use old songs to make new ones.

In Bruce Cockburn’s hands, the guitar becomes a true band in a box, delivering powerful grooves, riffs, melodies, harmonized lines, and improvised solos in real time.
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Thanks to his gift for simple and emotionally direct expression, the songs John Denver wrote and interpreted have remained standard repertoire for any musicians who sing with an acoustic guitar.

At the 2019 Folk Alliance International conference, held in Montréal in February, evidence of the vitality and diversity of the contemporary folk scene was everywhere, as nearly 3,000 attendees representing 47 countries crammed the Fairmont Queen Elizabeth hotel with acoustic…

When Gillian Welch and David Rawlings released their seminal debut back in 1996, they were often tagged as traditionalists—after all, the album title was Revival, with a black-and-white cover photo of Welch that looked as if it could have been…
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Pete Seeger wrote this lovely song in the 1960s, and it may have been the last song he sang. He told banjoist Tony Trischka this was his favorite of his own songs.

Some of your favorite classic songs from artists like James Taylor and Bob Dylan rely heavily on suspended chords for embellishment.

At the New York showroom, I spent some time exploring these sounds with a natural finish Acoustasonic plugged straight into a Fender '65 Deluxe Reverb tube amp.

Mitchell reinvented the guitar as a vehicle for accompaniment and songwriting. The evolution of her guitar style is inseparable from her journey as one of the defining singer-songwriters of her generation.
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Learn to create dynamic accompaniment parts in any setting.

If you watch the hands of guitarists who play with enviable speed and fluidity, you may notice how little effort they seem to exert. Their finger movements are relaxed and minimal, considering the amount of music they are generating. What they’re playing is surely not easy, but it looks that way. So how does a guitarist achieve that state of grace?

And then there’s Sunny War's guitar playing—a startling take on fingerstyle technique, with melodic riffs dancing over bluesy bass lines.
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From interlocking rhythms to wide, piano-like harmonies and melodic counterpoint, two guitars—skillfully and tastefully employed—can cover a tremendous amount of musical territory.

Creating a full-fledged duo sound doesn’t necessarily require playing anything tricky or fancy.

On a Monday night in Syracuse, New York, guitar cases line the walls of a hotel meeting room. Around 70 players, many cradling their instruments, are listening to a presentation by singer-songwriter Tim Burns, leader of the local Americana band Two Hour Delay. Burns is sharing ideas on how to back up another guitarist, and to demonstrate, he’s invited to the stage John Cadley, a veteran of the bluegrass/country scene in upstate New York and beyond (Lou Reid & Carolina once topped the bluegrass charts with Cadley’s song “Time”).
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What happens when these three musicians band together is something greater than a typical all-star project, where the members take turns in the spotlight.

In 2015, singer-songwriter Mary Gauthier was sipping coffee inside the Carey Center for Global Good in upstate New York, watching one of the participants arrive for a weekend retreat led by an organization called SongwritingWith:Soldiers.

Chord shapes are great tools for expanding the range and flexibility of your guitar solos—in any style. They can help you get your bearings up and down the neck and find phrases and riffs that truly lock in with a song’s chord changes.
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Explore what Pete Seeger, citing Woody Guthrie, called "the genius of simplicity."