
Courtney Hartman | The Acoustic Guitar Podcast
Spend some time catching up with guitarist and singer-songwriter Courtney Hartman.

Spend some time catching up with guitarist and singer-songwriter Courtney Hartman.

As with all of the duo’s songs, the basic ingredients of “Empty Trainload of Sky” are dead simple, with just two sections and four chords.
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Rawlings and Welch go deep about the writing and recording of their latest songs and the vintage guitar discoveries that helped shape them.

We’ll start off with a series of examples that use a bass run to connect two chords, and then we’ll try out bass runs in a few classic progressions.

Audigo lets you record and sync audio and video, use EQ and effects, and share the final product—all on your phone.
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The groundbreaking guitarist goes deep on his latest solo ventures—and why every one of his 50-plus releases feels like a single album.

In this lesson we’ll work with some "blue" notes that you can use to add bluesy colors to open chord shapes.

This intimate song is built on layers of acoustic guitar, with fingerstyle parts that are so closely entwined it’s often hard to pick out the individual instruments.
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Sus and add chord voicings are used all the time to add variety to rhythm patterns and create riffs.

Green’s playing throughout is crisp and clear, with attention to the fine details of tone and articulation.

This arrangement takes some cues from the Dead, but uses dropped-D tuning for more low end punch and adds a bunch of flatpicking fun.
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This basic lesson focuses on using hammer-ons and pull-offs with open chords—creating classic sounds heard throughout roots, country, and rock guitar styles.

Sam Grisman Project, Andy Falco and Travis Book, Wake the Dead, and Grahame Lesh share thoughts on what the Dead's songbook means to them, and how they approach it as a living tradition.

Whether I fingerpicked, played bluesy lead lines, or dug into percussive strumming, the Micro delivered a clean and detailed sound.

“Critter” chats about his bluegrass travels, lessons learned from Tony Rice, and the discovery of his holy grail guitar.
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While details of Mitchell's playing are tough to discern on the original, this newly released solo demo is especially illuminating.

D’Agostino uses unorthodox tunings, percussion, and other techniques to open up new vistas on the instrument. Yet his compositions feel driven by melody.

Like a magic trick on your guitar, partial capos hold down some strings while leaving others untouched, changing the intervals between open strings.
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With tight harmonies, sturdy twin guitar strumming, thoughtful lyrics, and a bit of vocal countermelody, the song has all the hallmarks of the duo's style.

Catch up with one of your favorite bluegrass bands!

New Rhino set spans a time when Mitchell made multiple musical breakthroughs—as a songwriter, guitarist, and bandleader.
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Thirty five years after its release, this powerful narrative, with its distinctive guitar part, feels as vital as ever.

Lowering your first and sixth strings from E to D opens up enticing new possibilities on both the low and high ends of the guitar.

What gives this music such vitality and allure, even for those who didn't grow up with Beatlemania in the 1960s?
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Joey Ryan and Kenneth Pattengale, aka the Milk Carton Kids, discuss the creative process behind what is perhaps their strongest set of songs to date.