Playing her cherished Maton EBG808 tuned to D, A, D, F#, A, D and run through a handful of delay, harmony, and percussion effects—and donning a foot tambourine—Lenée demonstrated her award-winning dynamic hybrid fingerstyle/slapping/overhand tapping technique on the songs “Breath of Spring” and “Song for Michael Pukac,” the latter inspired by a painting by the Los Angeles artist of the same name.