This Santa Cruz OM Customwas made with several storied tonewoods, including Tunnel 13 redwood; Brazilian rosewood; and figured mahogany sourced from the Tree.
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Makers and Shakers: Fraulini Guitars’ Todd Cambio Digs for Inspiration in the Overlooked Guitars of the Past
From the September 2018 issue of Acoustic Guitar | BY E.E. BRADMANMy brother and I were in a record store looking through the bargain bin, and there was a... Read More...
We looked into a number of the most popular classical-guitar learning sites and offer profiles of three here; at the end you’ll also find brief glimpses of four others.
“VanWart” started out as an improvisation, from which three distinct sections emerged, each including some of the colorful harmonies inherent to DADGAD tuning.
After four decades mostly playing violin, Mark O'Connor returns triumphantly to acoustic guitar on flashy and eclectic solo set 'Markology II'
The L.R. Baggs Voiceprint DI uses Impulse Response (IR) technology and has the ability to make your pickup sound like the natural acoustic sound of your guitar.
Most of the tunes on Smither’s 18th album are unreleased gems from the New Orleans sessions that resulted in his career retrospective "Still on the Levee."
Makers & Shakers: After 50 Years at the Forefront of the Guitar Repair Industry, Dan Erlewine Is at the Top of His Game
Dan Erlewine's pioneering reference works and instructional content have made him a mentor to three generations of guitar maintenance and repair geeks.
Sometimes when a guitar is built using unique materials, it comes with a backstory built deep into its woodgrain. Take the new Collings OM3 Alaskan seen here. It’s one of six guitars made for the shop’s premier dealers using a combination of unusually colored Sitka spruce, curly mahogany, and special appointments
From the July/August 2020 issue of Acoustic Guitar | By Adam PerlmutterSometime during the mid-2000s, Alex de Grassi, one of the g... Read More...