From the November 2016 issue of Acoustic Guitar | BY MARK ARI
Some of the most coveted archtop guitars in the world are built in Savannah, Georgia, at Bene... Read More...
From the November 2016 issue of Acoustic Guitar | BY KAREN PETERSON
by Karen Peterson
Flat as a flapjack, with some of the richest bottomland in the world... Read More...
From the November 2016 issue of Acoustic Guitar | BY TOM FELDMANN
Illustration by Olivia Wise
Widely known as the Father of the Delta Blues, Charley Pat... Read More...
From the October 2014 issue of Acoustic Guitar | BY MARK KEMP
In late May, the acoustic-blues and folk singer Otis Taylor was hanging out at Immersive Studios ... Read More...
From the September 2016 issue of Acoustic Guitar | BY JEFF GUNN
Andy McKee’s Live Book captures the essence of the celebrated fingerstylist’s beautif... Read More...
From the November 2016 issue of Acoustic Guitar | BY DERK RICHARDSON
It’s been nearly 55 years since two of the folk revival’s best guitarists, Jim Kweskin... Read More...
From the November 2016 issue of Acoustic Guitar | BY JEFF GUNN
The beauty of the acoustic guitar is elevated by natural harmonics, which result from delica... Read More...
From the November 2016 issue of Acoustic Guitar | BY PETE MADSEN
Those lucky enough to own or play a 1960s or ’70s-era Guild acoustic flattop remember them... Read More...
From the November 2016 issue of Acoustic Guitar | BY GREG CAHILL
At first glance, the Michael Kelly Forte Port might seem like nothing special. After all, ... Read More...
From the November 2016 issue of Acoustic Guitar | BY ADAM PERLMUTTER
When I first meet the Martin DCX1AE Macassar, it feels a little foreign. The back and ... Read More...
