From the June 2017 issue of Acoustic Guitar | BY KAREN PETERSON
Forget (if you can) the interminable “small, small world” soundtrack at Disneyland. This su... Read More...
From the June 2017 issue of Acoustic Guitar | BY ADAM PERLMUTTER
Last January, visiting the booth of the Eastman Music Co. at the annual winter NAMM trade ... Read More...
From the June 2017 issue of Acoustic Guitar | BY PATRICK SULLIVAN
Guitar making’s perils don’t usually include freezing to death. Yet one recent October ... Read More...
From the June 2017 issue of Acoustic Guitar | BY PAUL MEHLING
THE PROBLEM
You’re new to Gypsy jazz and want to avoid the pitfalls common in learning this ... Read More...
From the June 2017 issue of Acoustic Guitar | BY GRETCHEN MENN
THE PROBLEM
While you’re familiar with the basic major and minor triads, any numbers follo... Read More...
From the June 2017 issue of Acoustic Guitar | BY JEFFREY PEPPER RODGERS
When soloing, ideally you want the whole fingerboard to be your playground, so you ... Read More...
From the June 2017 issue of Acoustic Guitar | BY GREG CAHILL
There’s a beat-up Seagull S6 at AG’s office, which shows why that modest axe has a reputation ... Read More...
From the June 2017 issue of Acoustic Guitar | BY PETE MADSEN
The late Mississippi Hill Country blues artist R.L. Burnside was relatively unknown until the ... Read More...
From the June 2017 issue of Acoustic Guitar | BY ADAM PERLMUTTER
Play a Martin D-1 Authentic 1931 and you get a good sense of just how formidable this guit... Read More...
From the June 2017 issue of Acoustic Guitar | BY ADAM PERLMUTTER
It’s deeply gratifying to pick the single open-A string on Bedell’s new Revolution Parlor ... Read More...
