From the December 2018 issue of Acoustic Guitar | BY GRETCHEN MENN
THE PROBLEM
You are stuck in one pentatonic scale shape, and anything too far up or dow... Read More...
From the November 2018 issue of Acoustic Guitar | BY ADAM PERLMUTTER
In 1970 Eric Clapton, pining for George Harrison’s then-wife, Pattie Boyd, wrote what ... Read More...
From the December 2018 issue of Acoustic Guitar | BY PETE MADSEN
Resonator guitars have become synonymous with traditional American music. For the player m... Read More...
From the November 2018 issue of Acoustic Guitar | BY MICHAEL WRIGHT
Not that many years ago, if you wanted to enjoy the pleasures of playing a vintage guit... Read More...
From the November 2018 issue of Acoustic Guitar | BY GREG OLWELL
Many guitarists associate instruments with zero frets with the cheap import guitars made i... Read More...
From the November 2018 issue of Acoustic Guitar | BY MARK SMALL
Like many Baby Boomers, guitarist, songwriter, and record producer John Leventhal reflects ... Read More...
From the November 2018 issue of Acoustic Guitar | BY MARK STUTMAN
Kel Kroydon-branded instruments were built by Gibson from late 1929 into 1932. They were ... Read More...
From the November 2018 issue of Acoustic Guitar | BY BLAIR JACKSON
Guitarist, singer, and songwriter Rory Block has been one of the country’s preeminent bl... Read More...
From the November 2018 issue of Acoustic Guitar | BY MAMIE MINCH
I have a relatively new Martin dreadnought guitar, and I generally love how it feels and ... Read More...
From the November 2018 issue of Acoustic Guitar | BY GREG OLWELL
Long relegated to very specific kinds of players and styles, cradle capos seem to be havin... Read More...
