From the October 2017 issue of Acoustic Guitar | BY JEFF GUNN
THE PROBLEM
You want to enhance your rhythm playing by adding hammer-ons and pull-offs to ch... Read More...
From the October 2017 issue of Acoustic Guitar | BY GREG OLWELL
The dreadnought is big. Outside of its portly proportions, this form remains a top-seller a... Read More...
From the September 2017 issue of Acoustic Guitar | BY KAREN PETERSON
Dramamine is in order when driving through the dense oak and hickory forests of southe... Read More...
From the September 2017 issue of mericcoustic Guitar | BY JEFFREY PEPPER RODGERS
Think of the timeless ballad “Something,” from the Beatles’ Abbey Road. In... Read More...
From the September 2017 issue of Acoustic Guitar | BY ADAM PERLMUTTER
It’s not uncommon to find a prewar Gibson L-5 for sale, but it is uncommon for two fr... Read More...
From the October 2017 issue of Acoustic Guitar | BY PETE MADSEN
When I gig as a solo acoustic blues guitarist and vocalist, I usually take a small amp. But... Read More...
Excerpted from A Basic Harmonica Lesson for Guitarists
This excerpt teaches you a vital technique called "tongue blocking."
Your guitar can handle most of... Read More...
Well, this week it pretty much has to be Glen Campbell, doesn't it? Most of the world knows Campbell (who died August 8) for the string of light pop-country hit... Read More...
From the September 2017 issue of Acoustic Guitar | BY PAT MORAN
Magic is afoot in James Elkington’s debut solo album Wintres Woma. The collection, which ta... Read More...
From the September 2017 issue of Acoustic Guitar | BY ADAM PERLMUTTER
I’m admittedly somewhat of a neophyte when it comes to digital effects. So I was a li... Read More...
